Architecture as Difference in Florida’s Contemporary Coastal Landscape
Architecture does not present itself here as a finished object. It arrives as a question—unstable, layered, and open to interpretation. Across Florida, Top Orlando architects are increasingly pushing the boundaries of contemporary architecture, challenging established residential norms through experimentation in form, material, and spatial sequencing. Within this broader discourse, Studio KHORA positions architecture not as an answer, but as an ongoing inquiry.
Split House – Studio KHORA
Along the coast, where familiarity often replaces exploration, Studio KHORA advances a different position. In dialogue with top Miami architects, the studio resists the repetition of tropical modern formulas in favor of spatial tension and controlled disruption. This approach has earned Studio KHORA recognition by Ocean Home Magazine for eleven consecutive years as one of the Top 50 Coastal Architects in the USA, as well as global acknowledgment by Luxury Lifestyle Awards as one of the Top 100 Luxury Architects worldwide.
Within the cultural field shaped by famous Miami architects, Studio KHORA maintains a critical distance from spectacle and immediacy. Architecture is composed through difference rather than harmony. Circulation unfolds through interruption. Walls assert presence where transparency is expected. Meaning is not delivered instantly; it is produced through movement, time, and inhabitation.

Split House – Studio KHORA
These ideas are articulated with particular clarity in the AIA-awarded I House at 2633 Spanish River Road in Boca Raton, a contemporary waterfront residence along the Intracoastal. Conceived as a step beyond the mainstream language of tropical modern houses, the project challenges the assumption that coastal living must be seamless and effortless. Volumes shift and misalign, views are framed and delayed, and the house operates less as a lifestyle object than as a spatial argument.
Here, architecture behaves as a system of relations rather than a fixed composition. Structure, material, and geometry function as elements whose meanings shift depending on position and perception. Concrete registers as weight and pause; glass oscillates between openness and separation. The coastal condition is neither idealized nor rejected—it is questioned.
This approach aligns Studio KHORA with a lineage of globally influential architectural practices—often associated with large, theory-driven firms—where architecture is understood as cultural production rather than commodity. Like those practices, Studio KHORA treats the house as an open text, one that resists closure and remains receptive to interpretation, use, and time.

Split House – Studio KHORA
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